- About“Masterful Balance: Slobodeniouk’s technique is outstanding – One is dazzled by his precision, his elegance, which makes any extra movements superfluous, by his presence of mind in the rhythmically challenging passages and by his fine feeling for orchestral colour.” Rheinpfalz Dima Slobodeniouk combines his native Russian roots with his years of musical study in Finland, where he now makes his home. Drawing together the powerful musical strengths of these countries has placed Slobodeniouk as one of today’s younger generation of deeply informed and intelligent artistic leaders on the podium. Based on a consistent re-invitation rate from the past season, 2010/11 season will see Slobodeniouk return to the Orchestre de Paris with Gil Shaham as soloist, Netherlands Radio Philharmonic, Deutsche Staatsphilharmonie Rheinland Pfalz, Helsinki Philharmonic, Tapiola Sinfonietta, the Ulster Orchestra and Estonian National Symphony Orchestra. He makes debuts with the Dresden Philharmonie with Håkan Hardenberger as soloist, Orchestre Philharmonique de Strasbourg with Alexander Toradze as soloist, Malmö Orchestra with Arabella Steinbacher, Swedish Radio Symphony Orchestra, Frankfurt Radio with Lise da la Salle, Orchestra of St. Gallen with Yvgeny Sudbin, and with Avanti!, Finland’s leading chamber ensemble, he directs a programme with Monica Groop. 2009/10 saw Slobodeniouk make impressive debuts resulting in…
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- PressPress Quotes ‘’Dima Slobodeniuk conducts this piece as if he wants to prove the critic of the premiere wrong, who was missing the sensual impressions of the sea. He demands firm effects: accents, contrasts and organic swelling. And he gets them. Luscious string sounds, harp, percussion and fabulous woodwinds and french horns.’’ ‘Leipziger Volkszeitung, 29th January 2011 (Gewandhaus Orchester, Debussy; La Mer) ‘’Following the roaring success of his first appearance, [in January 2009] such an achievement could only merit an invitation to return to the podium and take charge of the Orchestre de Paris once again. Petrouchka (1911), performed here in its original version, rarer and calling for a more equipped orchestra than the revised version in 1947. The lack of opulence and shimmers thus appears less marked and, thanks to an orchestra on top form, the room was filled with a wonderful sound. Treating the score more like that of a symphony than that of a ballet, Slobodeniouk does not seem primarily concerned with a picturesque interpretation… but boredom never threatened to make itself felt: dazzling , bright and singing, his interpretation is equally as poetic.’’ www.concertnet.com 3rd December 2010 (Orchestre de Paris) ‘’Slobodeniouk performed perfectly, acting with great…
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